Sunday, December 15, 2013

The islamic architecture styles

The islamic architecture design styles

Persian and Byzantine style

The Islamic conquest of Persia in the 7th century availed the Muslims with the vast wealth of architectural innovation developed over the centuries, from the great roadsaqueducts and arches of the Roman Empire, to the Byzantine basilicasand horseshoe and pointed arches, and the Sassanian and Byzantine mosaicsThe renaissance in Persian mosque and dome building came during the Safavid dynasty, when Shah Abbas, in 1598 initiated the reconstruction of Isfahan, with the Naqsh-e Jahan Square as the centerpiece of his new capital. The distinct feature of Persian domes, which separates them from those domes created in the Christian world or the Ottoman and Mughal empires, was the colorful tiles, with which they covered the exterior of their domes, as they would on the interior.

Turkistan (Timurid) architecture

Timurid architecture is the pinnacle of Islamic art in Central Asia. Spectacular and stately edifices erected by Timur and his successors in Samarkand and Herat helped to disseminate the influence of the Ilkhanid school of art in India, thus giving rise to the celebrated Mughal school of architecture. Timurid architecture started with the sanctuary of Ahmed Yasawi in present-day Kazakhstan and culminated in Timur's mausoleum Gur-e Amir in Samarkand. The style is largely derived from Persian architecture.


Ottoman architecture




The standard plan of Ottoman architecture was inspired in part by the example of Hagia Sophia in Constantinople/Istanbul,Ilkhanid works like Oljeitu Tomb and earlier Seljuk and Anatolian Beylik monumental buildings and their own original innovations. The most famous of Ottoman architects was (and remains) Mimar Sinan, who lived for approximately one hundred years and designed several hundreds of buildings, of which two of the most important are Süleymaniye Mosque in Istanbul and Selimiye Mosque in Edirne. Apprentices of Sinan later built the famous Blue Mosque in Istanbul and the Taj Mahal in India.

The most numerous and largest of mosques exist in [Turkey], which obtained influence from Byzantine, Persian and Syrian-Arab designs. Turkish architects implemented their own style of cupola domes. For almost 500 years Byzantine architecture such as the church of Hagia Sophia served as models for many of the Ottoman mosques such as the Shehzade Mosque, the Suleiman Mosque, and the Rüstem Pasha Mosque.
The Ottomans mastered the technique of building vast inner spaces confined by seemingly weightless yet massive domes, and achieving perfect harmony between inner and outer spaces, as well as light and shadow. Islamic religious architecture which until then consisted of simple buildings with extensive decorations, was transformed by the Ottomans through a dynamic architectural vocabulary of vaults, domes, semidomes and columns. The mosque was transformed from being a cramped and dark chamber with arabesque-covered walls into a sanctuary of esthetic and technical balance, refined elegance and a hint of heavenly transcendence.


Sino-Islamic architecture



The first Chinese mosque was established in the 7th century during the Tang Dynasty in Xi'an. The Great Mosque of Xi'an, whose current buildings date from the Ming Dynasty, does not replicate many of the features often associated with traditional mosques. Instead, it follows traditional Chinese architecture. Some Chinese mosques in parts of western China were more likely to incorporate minarets and domes while eastern Chinese mosques were more likely to look like pagodas.

An important lathan feature in Chinese architecture is its emphasis on symmetry, which connotes a sense of grandeur; this applies to everything from palaces to mosques. One notable exception is in the design of gardens, which tends to be as asymmetrical as possible. Like Chinese scroll paintings, the principle underlying the garden's composition is to create enduring flow; to let the patron wander and enjoy the garden without prescription, as in nature herself.
Chinese buildings may be built with either red or grey bricks, but wooden structures are the most common; these are more capable of withstanding earthquakes, but are vulnerable to fire. The roof of a typical Chinese building is curved; there are strict classifications of gable types, comparable with the classical orders of European columns.


Indonesian-Malay architecture



The predominantly-Muslim regions of South East Asia have been slow to adopt Middle Eastern architectural styles for Islamic sites. For centuries, most Javanese mosques lacked a dome. Instead, they had a multi-tiered roof (of Javanese or even Chinese influence) comparable with the multi-level pagodas of neighbouring Bali.


The design elements

Islamic architecture may be identified with the following design elements, which were originally a feature of the Masjid al-Nabawi.

lan view of Bab al-Barqiyya alongAyyubid Wall.


  • Mihrab or prayer niche on an inside wall indicating the direction to Mecca.A four-iwan plan, with three subordinate halls and one principal one that faces toward MeccaMinarets or towers (these were originally used as torch-lit watchtowers, as seen in the Great Mosque of Damascus
  • Domes and Cupolas.
  • Pishtaq is the formal gateway to the iwan, usually the main prayer hall of a mosque, a vaulted hall or space, walled on three sides, with one end entirely open; a Persian term for a portal projecting from the facade of a building, usually decorated with calligraphy bands, glazed tilework, and geometric designs.
  • The use of Islamic geometric patterns and foliage based arabesques.
  • The use of mocárabe and muqarnas, a unique Arabic/Islamic space-enclosing system, for the decoration of domes, minarets and portals, as used at the Alhambra.
  • The use of decorative Islamic calligraphy instead of pictures which were haram (forbidden) in mosque architecture. 
  • Central fountains used for ablutions (once used as a wudu area for Muslims).
  • The use of bright color, if the style is Persian or Indian (Mughal); paler sandstone and grey stones are preferred among Arab buildings. Compare the Registan complex of Uzbekistan to the Al-Azhar University of Cairo.

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